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Customer Reviews
Most helpful customer reviews
12 of 12 people found the following review helpful.
FABULOUS
By Ohmi
Everything about "The Artful Garden" is fabulous. The layout and illustrations are beautiful and the prose is easy to understand and full of awesome ideas. This is a must read for anyone interested in landscaping/creative gardening.
13 of 15 people found the following review helpful.
Garden Design May Be Inspired By Works of Art
By allanbecker-gardenguru
The Artful Garden: Creative Inspiration for Landscape DesignThe theme of this beautifully written and breathtakingly illustrated book is that great garden design may be enriched when it references and embraces creative elements that are found in the plastic and performing arts.Such a phenomenon is called synergy in industry and in horticulture it is metaphorically referred to as hybrid vigor. It represents a cumulative result that is superior to the sum of its parts and explains the cross fertilization that sometimes takes place between two artistic disciplines. As composers collaborate with choreographers and sculptors are inspired by painters, the resulting works are often richer and more powerful than what might have been created alone. Extending this metaphor to garden design, the authors suggest that the inspiration derived from the arts can raise a landscape to a higher level, making it more creative, and more meaningful.According to Mr. Van Sweden, a garden may be likened to a painting because it can be described as a two dimensional depiction. It is also similar to a sculpture because it is a space through which the eye moves. There is a third dimension to a garden because it is constantly in motion due to seasonal change and rhythmic repetition. In that respect, it is similar to music and dance. However, because nature controls the pace of that change, an element of unpredictability is inherent in any garden - and that is its mysteryIn planning landscapes of any size, the reader is boldly advised not to rely upon "horticultural rules of thumb and clichés" as these produce "passionless mediocre results". Instead of focusing on borders and beds, or paths and meadows, the authors encourage garden designers to consciously incorporate what they have observed, or experienced in other media. It is suggested that the resulting landscape design might "....resemble a tapestry woven from sky, trees, rocks, vines, flowers, grasses, and space".To elaborate on this perspective of landscape design, Mr. Van Sweden interviewed performance and plastic artists who garden. These include cellist Yo-Yo Ma, sculptor Grace Knowlton, textile designer Jack Lenor and painter Robert Dash. It is through their unique garden experiences and artistic mindsets, that the authors introduce the fundamentals of design that include positive and negative spaces, form and scale, as well as light and shadow. Additional design concepts discovered in the unique landscape of these artists include composition, color, symmetry, line, harmony, contrasts, rhythm and movement - aka music, foliage and texture. Finally, there is a brief discussion about creating the illusion of depth with textures and about layering a garden for mystery and excitement.This informally written publication offers readers more than inspiration; it gives us insight into the brilliance of a landscape architect whose gardens are great works of art. James Van Sweden, along with his partner Wolfgang Oehme, was responsible for introducing his vision of the New American Landscape, an artistic and horticultural achievement that continues to receive international acclaim for more than twenty years since its conception. We are pleased that, with the assistance of Tom Christopher, Mr. Van Sweden has chosen to share with us the art - inspired creative process that makes his gardens beautiful beyond words.
7 of 7 people found the following review helpful.
The creative process for landscape design
By Mr. A. Mellor
This is not a how-to garden design book. Rather, it is much more exciting - the process behind "a voyage of discovery" in which you "turn your dreams loose". To this end after an introduction in which the author spells out his raison d'etre, he considers in separate chapters space and form - in which he introduces the concepts of positive and negative space such that all material is removed so that it reduces to "that form designed in the artist's mind" - light and shadow, making the scene, rhythm and movement, texture, and layering for mystery and enticement.The creative process is not viewed in terms of the garden alone. Rather, parallels are drawn with painting, sculpture, photography, literature and music. Not, I would add to show how clever the author is. Instead he uses examples to illustrate and clarify the point he is making. To this end he has interviewed and includes excerpts from the interviews of sculptor Robert Adzema, painter Roberty Dash, landsape architects Lawrence and Anna Halprin, the musician Yo Yo Ma and landscape architect Julie Moir Messervy who emphasises the importance of feeling to those of form and function, plantsman and landscape architect Piet Oudolf, fabric artist and designer Jack Lenor Larsen and landscape architect Martha Schwartz. Partially to reveal the result of the creative process he makes reference to a number of gardens, especially his own garden at Ferry Cove on Maryland's eastern shore and another home in upstate New York.This is a book that will cause you to reflect on the process of creation long after you have put the book back on to the shelf.
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Not for the beginner
